Photo by Adisa Olashile There is a saying among many Nigerians that if you have a relative who left Nigeria for Britain many years ago and never came back, you should go to Peckham. Walk slowly down Rye Lane on a Saturday morning, step into a fabric store or a hair salon, linger near a church on a Sunday afternoon, and chances are, you might find them there. On most weekends during the summer of 2025, you will find Adisa in Peckham- a part of London so thoroughly Nigerian it

There is a building in Mushin, Lagos, where Victor Adewale was born. Thirty years later, he returned with a camera. Faith Home is not what official records would call a hospital. It is a modest maternal healthcare centre run by the church his parents attended, sustained by prayer and communal solidarity, staffed by women from the congregation who volunteer their time despite having little to no medical training. It is the kind of place that keeps poor communities alive while

A failed tailoring class sent Taiwo Aina-Adeokun to photography — and she never looked back. From Lagos streets to the New York Times, she talks personal projects, female boxers, and what it really takes to build a documentary practice in Nigeria.

We are proud to introduce the seven photographers selected for the very first No! Wahala Documentary Photography Mentorship Programme . This year-long initiative was created to support emerging and mid-career African photographers committed to long-term visual storytelling, ethical practice, and building work that speaks. Over the next twelve months, these photographers will develop ambitious documentary projects while taking part in monthly workshops, portfolio reviews, and